在线阅读本书 The narrator is a scientist hideously deformed in a laboratory accident - a man who has lost his face and, with it, connection to other people. Even his wife is now repulsed by him. His only entry back into the world is to create a mask so perfect as to be undetectable. But soon he finds that such mask is more than a disguise: it is an alternate self - a self that is ca...(展开全部)

Like an elegantly chilling postscript to The Metamorphosis , this classic of postwar Japanese literature describes a bizarre physical transformation that exposes the duplicities of an entire world. The narrator is a scientist hideously deformed in a laboratory accident–a man who has lost his face and, with it, his connection to other people. Even his wife is now repulsed by ...(展开全部)

Like an elegantly chilling postscript to The Metamorphosis , this classic of postwar Japanese literature describes a bizarre physical transformation that exposes the duplicities of an entire world. The narrator is a scientist hideously deformed in a laboratory accident–a man who has lost his face and, with it, his connection to other people. Even his wife is now repulsed by ...(展开全部)

在线阅读本书 The narrator is a scientist hideously deformed in a laboratory accident - a man who has lost his face and, with it, connection to other people. Even his wife is now repulsed by him. His only entry back into the world is to create a mask so perfect as to be undetectable. But soon he finds that such mask is more than a disguise: it is an alternate self - a self that is ca...(展开全部)

史蒂芬·贝利（Stephen Bayley），英国著名文化评论家、畅销书作者、艺术策展人与节目主持人。20世纪80年代早期，他与特伦斯·康伦爵士在维多利亚和阿尔伯特博物馆合作创办了英国第一个永久性设计展览“锅炉房项目”，后来又担任伦敦设计博物馆首席主管。他同时是多家设计师和建筑师事务所的顾问，为包括可口可乐、福特汽车、大众汽车、宝马汽车、绝对伏特加和哈维·尼克斯百货在内的诸多品牌提供咨询服务。作为一名意见鲜明、直言不讳的评论界权威人士，他经常在电视节目中出镜，还是众多报刊的固定撰稿人。他曾应邀在全球各地的大学举办讲座，获得“法兰西文学艺术骑士勋章”，还是英国皇家建筑师协会荣誉会员、威尔士大学和利物浦表演艺术学院荣誉研究员。

史蒂芬·贝利（Stephen Bayley），英国著名文化评论家、畅销书作者、艺术策展人与节目主持人。20世纪80年代早期，他与特伦斯·康伦爵士在维多利亚和阿尔伯特博物馆合作创办了英国第一个永久性设计展览“锅炉房项目”，后来又担任伦敦设计博物馆首席主管。他同时是多家设计师和建筑师事务所的顾问，为包括可口可乐、福特汽车、大众汽车、宝马汽车、绝对伏特加和哈维·尼克斯百货在内的诸多品牌提供咨询服务。作为一名意见鲜明、直言不讳的评论界权威人士，他经常在电视节目中出镜，还是众多报刊的固定撰稿人。他曾应邀在全球各地的大学举办讲座，获得“法兰西文学艺术骑士勋章”，还是英国皇家建筑师协会荣誉会员、威尔士大学和利物浦表演艺术学院荣誉研究员。

Gathering for the first time all of Claude Levi-Strauss's writings on Japanese civilization, The Other Face of the Moon forms a sustained meditation into the French anthropologist's dictum that to understand one's own culture, one must regard it from the point of view of another. Exposure to Japanese art was influential in Levi-Strauss's early intellectual growth, and between ...(展开全部)

Catch the hapless Greg Heffley as he navigates his way through family and school life with his best friend, Rowley, by his side in a brand new "Wimpy Kid" adventure!

汉斯・克里斯蒂安・安徒生，1805年4月2 日诞生于丹麦欧登塞市一个穷鞋匠家中。14岁时，立志成为一个戏剧演员，离开家乡去哥本哈根追寻理想。30岁时创作了以意大利为背景的小说《即兴诗人》，从此赢得了作家的声誉。其后创作了《拇指姑娘》、《小人鱼》、《丑小鸭》、《皇帝的新装》等童话,至70岁逝世为止，共发表童话150余篇。作为“童话之王”，他受到了全世界人民的爱戴。 译者简介： 季颖，1949年生于中国河北省。历经农工、工人、出版社编辑等工作。1997年赴日本至今。日本圣和大学大学院教育研究科博士课程毕业。儿童文学专攻。现从事于儿童文学的研究、评论及翻译。儿童文学创作方面，发表有《丑丑的故事》、《树的孩子》、《青蛙买池塘》等幼儿文学及绘本作品多数，其中童话《青蛙买池塘》获1994年度陈伯吹儿童文学奖。译书有《小百百》、《伯伯的伞》、《我的图画书论》等。...(展开全部)

This is a groundbreaking, highly original work of postmodern feminist theology from one of the most important authors in the field. The Face of the Deep deconstructs the Christian doctrine of creation which claims that a transcendent Lord unilaterally created the universe out of nothing. Catherine Keller's impassioned, graceful meditation develops an alternative representation ...(展开全部)